The Seven Year Itch


The Seven Year Itch is a 1955 American romantic comedy film based on a threeact play with the same name by George Axelrod. The film was cowritten and directed by Billy Wilder, and stars Marilyn Monroe and Tom Ewell, reprising his Broadway role from the play. It contains one of the most iconic images of the 20th century Monroe standing on a subway grate as her white dress is blown by a passing train. The titular phrase, which refers to declining interest in a monogamous relationship after seven years of marriage, has been used by psychologists.

He waits for her to get dressed, including in underwear she says she keeps cool in her icebox. When she arrives, a vision in pink, they have a drink and he lies about being married. When she sees his wedding ring, he backtracks but she is unconcerned, having no designs on him, only on his airconditioning. He has a fantasy that she is a femme fatale overcome by his playing of Rachmaninoffs Second Piano Concerto. In reality, she prefers Chopsticks, which they play together. Richard, overcome by his fantasies, awkwardly grabs at her, causing them to fall off the piano bench. He apologizes for his indiscretion but she says it happens to her all the time. Guiltridden, however, he asks her to leave.Over the next few days, they spend more time together and Richard imagines that they are growing closer, although she is immune to his imagined charms. Helen continually calls her husband, asking him to send the paddle so Ricky can use the kayak, but Richard is repeatedly distracted. His waning resolve to resist temptation fuels his fear that he is succumbing to the Seven Year Itch. He seeks help from Dr. Brubaker, but to no avail. His imagination then runs even wilder the young woman tells a plumber Victor Moore how Richard is just like The Creature from the Black Lagoon the plumber repeats her story to neighbor McKenzie, whom Helen had asked to drop by to pick up Rickys paddle. Richard imagines his wife with McKenzie on a hayride which actually takes place but into which he injects his paranoia, guilt and jealousy. After seeing The Creature from the Black Lagoon, the young woman stands over the subway grate to experience the breeze Monroe in the iconic scene in the pleated white halter dress, blowing her skirt in the wind. ........

Source: Wikipedia


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